https://tamhare.com Tam Hare Fri, 13 Feb 2026 12:08:49 +0000 https://tamhare.com en https://tamhare.com/Post-Tinnital-Testing-1 Fri, 13 Feb 2026 12:08:49 +0000 Tam Hare https://tamhare.com/Post-Tinnital-Testing-1 Post-Tinnital Testing, 1…Intro. This piece is a type of critical-artistic test. It comes out of research undertaken by two interconnected strands of a broader project (Always Pushing Away the Abstract Child) that builds a speculative character through the application of cited notions of philosophical reason (links to this research can be found in this ‘Intro’). The two associated thematic elements that this work consists of and responds to, relate to tinnitus as it manifests through(-out) this character’s depiction. These are, the use of this condition's metonymical potential, and crucially, its relation to the character’s ‘real’ existence and ‘ideal’ perception(s). Consequently, the test takes place by selecting from an ongoing series of contingently produced images entitled Post-Tinnital that use a specific ‘glitching’ process in their creation.These images are then combined alongside chosen passages of the present text chapter from this character’s ongoing construction within the PhD, which equally focuses on tinnitus as a type of speculative ‘hinging’ process for this subject. These short text sections have been specifically selected from this doctoral work and its present extended text chapter on its character called, Tinnitus Channelled.Additionally, this text work, in turn, combines and correlates around performative sound-based collaborations, as does the PhD overall. <img width="1200" height="889" width_o="1200" height_o="889" data-src="https://freight.cargo.site/t/original/i/f5814e801850c1bde37ef40fb3beb09245a8f9f88f1270c46b2ba36c59af92e1/Post-Tinnital-1.png" data-mid="244790122" border="0" src="https://freight.cargo.site/w/1000/i/f5814e801850c1bde37ef40fb3beb09245a8f9f88f1270c46b2ba36c59af92e1/Post-Tinnital-1.png" />Hearing ‘that’ voice in the airy whispers; those which always made that former ‘friend’ (in its former definition) laugh. He had always found this funny and it was known and exploited — not for the reasons the ‘friend’ had believed but because, like all embraced humour — this had been a necessary objective and its channelling was fashioned, studied, cherished and proliferated. The ‘voice’ resided within and on the environmental sounds. Rarely articulating anything and likely never as recollected, which could be understood, semantically so. However, it was inherently and intensely ‘felt’, fully realised inferentially, perceptually, but not logically and actually, and never absolutely, as ‘it’ or ‘that’, can never be. …the wind and the trees, passing through, connected together, in sound and inner visions, tones that last in moments and seem so ever-present… <img width="1200" height="914" width_o="1200" height_o="914" data-src="https://freight.cargo.site/t/original/i/23236723ee4be5de38e21da2c38ca11110586fa741d6d571e02ed07e1ca68a4c/Post-Tinnital-2.png" data-mid="244790124" border="0" src="https://freight.cargo.site/w/1000/i/23236723ee4be5de38e21da2c38ca11110586fa741d6d571e02ed07e1ca68a4c/Post-Tinnital-2.png" />Into it all, walking in it all, the vibrations and flows of the liquids are making the sounds that only they hear. The inside-outside-inside… noise that is useful when moving around and the liking of discourse that comes over the wireless, and the wireless is just that — but it is broadcasting ‘in’ the ideas of the subject and the thoughts of their associates. Into it, out of it and between it too. This works against them but that is the point. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;One of the numbers they played, is, remembered, but difficult to concentrate on and highly complex due its usual repetition, extreme simplicity, which was unusually long for them, it was long, but it is all standards and growths. Certainly all the standards they could think of that this isn’t. Still into being into these dreams, that they definitely weren’t, but it will be understood better with that characterisation. No day or night loss of consciousness had taken place in the envisagement of these accounts. No, this had never changed much since childhood. Only their received and assumed perceiving had become relativised and those that can’t consider these ideas and their processes — as they just might be, getting closer to this, to them — became more ‘age-appropriate’. However, they created a warm protection in moments, nonetheless. But, just like painting has been treated, assessed, judged by some noted advocates and others; the frankness and beauty of naïveté, ‘youth’ as it could be and is often called, makes for a resulting object and object ‘in thought’, to become closer to a truth, which never occurs and far more importantly than that, actually represents a ‘something’ un-less-contrived — for them, which is all they can be ‘for’, when levelled. A fact that the slack-jawed, proceeding sophists and their crowds, forget during aptly titled ‘Salons’. Where they mainly remain, muted… The amplified affects, it partially stays inside, no chance of full banishment, its long held note holds forth, cure cannot be found for live sounds absorbed in experience. <img width="1200" height="852" width_o="1200" height_o="852" data-src="https://freight.cargo.site/t/original/i/9a08f05fd47c5f1b614aaebbe0127e044905449894bdc8af3db05a834c7682ca/Post-Tinnital-3.png" data-mid="244790126" border="0" src="https://freight.cargo.site/w/1000/i/9a08f05fd47c5f1b614aaebbe0127e044905449894bdc8af3db05a834c7682ca/Post-Tinnital-3.png" />For as everything, such as states, objects, concepts, being exactly what they are in each individual instance, and not as anything else. Connections and inferences are made but never of a metaphorical disposition. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Therefore, the inner feeding-back of sound materials, like those resounding at that time and in others; their repurposing within a system of exchange and these states themselves, conceptualised, actualised and executed, demonstrating certain exemplars of observed acts. In this instance, creating interrelations, connections and other significant associations. The significance of these relevances, or trivialities, are predicated on cognitively determined, spatiotemporal judgements and their preconditioned subjective reasoning(s). The crucial paradigmatic factors, manifest within the conceptualisation of these ‘left’ objects, their commercial repurposing in this space and their causal inferences within this shop, were present in thought and recollection, most of that day and of others, unframed alongside. Laughter, recurs, a sound from the hall, currently, not happening, get back to the voices, machines and spaces, to escape from the inside, momentarily. <img width="950" height="1115" width_o="950" height_o="1115" data-src="https://freight.cargo.site/t/original/i/eaa0e8c003948de242a56c6567bedf0030b45811cdb059502ba43cc36ebf9b04/post-tinnital-scans_film-edit_cargo.png" data-mid="244915868" border="0" data-scale="100" src="https://freight.cargo.site/w/950/i/eaa0e8c003948de242a56c6567bedf0030b45811cdb059502ba43cc36ebf9b04/post-tinnital-scans_film-edit_cargo.png" /> Prolonged tremor, a tone and unexplainable auditory residual, a vibration sometimes felt and always sensed when awareness of these internal reactions are alerted. A reaction that lies dormant during moments of embrace and provisionally residing in and as, cognitive fluidity. When with them, ‘looking back’, intensively guided and superseding these unwarranted physio-affiliations, the breathing and gusts from around the top, side and within the cranium, dispersed. Peace did not rein, there is no harmony, no comfort in that sense, that would be incorrect to imply. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;But rather an exhilarating joyousness of attentiveness, affinity and singular closeness, which is unexpectedly identified in an extended temporary moment. The return though is the slow and variable hissing of an inner movement and commencement. This uninvited sense of renewal, further tones and a direct auditory undercurrent, each time, is a part of their ‘forever’, so never, yet, overlooked. <img width="1200" height="902" width_o="1200" height_o="902" data-src="https://freight.cargo.site/t/original/i/e672e358dbf3e880ecf6f17eafda38bf702cc86759958dd34d50020d17ac0a6f/Post-Tinnital-5.png" data-mid="244790194" border="0" src="https://freight.cargo.site/w/1000/i/e672e358dbf3e880ecf6f17eafda38bf702cc86759958dd34d50020d17ac0a6f/Post-Tinnital-5.png" />The rock n’ rollers, still dressed and ‘up’ from the club, on, and watching, Saturday mornings’ persons’ TV, placed beside the perma-smiles of the sickeningly happy, uber-neat, colour enriched presenters. All cosy, perched paradoxically on their sickeningly brightly coloured couch, with the typically fluffy companions in tow. An image that was so commonly bizarre, for these decades, which were always on the verge of, or actually breaking the glossy finish of their surroundings, well-rehearsed professionalism. Terrestrial broadcast or simply, ‘on the tele’ in those times, available and beaming straight into the collective aestheticisation of the national consciousnesses, arresting, bypassing, horrifying, ridiculing or thrilling, depending on receptions and various material circumstances. These moments nonetheless diverging from the mundanity and down right offensiveness of the beige remnants of a superior, unquestioning ‘professional’ stance, or more exacting, its crucial veneer. Although never broached, this is the essential image of the patriarchal colonising foundations, entrenched in the established essence of this ‘nationhood' and its badly hidden brutal histories. The view of one of these leather clad ensembles — one that stands above the others — helped shape and alter the actions taken and the assessments made by significant sections of a wider populace. Clearly, due to a variety of factors this would never be acknowledged. However, the idea of upsetting the seemingly stable state approved ‘order of things’, on such a far reaching scale and being apparently oblivious to this, would make a collection of various alterations inevitable. The scene, mainly black as expressed, open but considered, the hair as long as it was, slightly straight and also with a ‘wave’, held the scene, which invited just as it equally threatened those whom were at risk from these images. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Inherently, the repetition of sounds, images, movements and stances would reverberate outwards and then carry to them, others; changing otherwise unremarkable ‘experiencing’, to remarkable extents, ever since. <img width="1200" height="877" width_o="1200" height_o="877" data-src="https://freight.cargo.site/t/original/i/ae0d05490a7191c0257334c1bd647168f016d1342a27aa4d59044f64e89fa79e/Post-Tinnital-6.png" data-mid="244790204" border="0" src="https://freight.cargo.site/w/1000/i/ae0d05490a7191c0257334c1bd647168f016d1342a27aa4d59044f64e89fa79e/Post-Tinnital-6.png" />Now however, we must ‘trust’ that there is nothing behind these enforced obligations. Suddenly, after all the rhetoric about ‘structural’ duplicities and endemic rot at the core of that which controls, all is now as it seems, is the message, their message. What has been done beyond, outside its ever shrinking partitions, so that this system of abundance perversely fashioned into all its zombified states, can be dragged around for a little longer — ringing the last bit of communally required wealth, the source of this demonic addiction, out of its long since departed, mummified formations and social form rendering structures. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; The horrors it inflicted and inflicts ‘outside’ are now inside, settled there and targeting, as time has reliably illustrated. What was once necessary to execute on ‘others’ and those most unrepresented internally, is now inadequate to the cause of their maintenance and proliferation. Therefore, if there had ever been any doubt, the rot has now moved in fully and there is no “safety in numbers” as they desperately try to find ways of not losing their own meagre status. So, “we need to blame those whom previously it was easy and fortunate for us to ignore”. They are essentially them, they cannot be identified with therefore, and ‘othered’. There is nothing in it for them, in-fact it would only mean putting at risk what they have and will go to almost any length to hold on to… for as long as they can. It ain’t looking good though, as panic sets in. The obsession with that which can distract from all responsibility, reproduces and builds to new unseen heights. The pitch for this and against what lies behind it all, can be heard and witnessed in almost every linguistic turn and in their explanandum and explanans. As the end is envisaged and now pointed to, defined and scheduled; still any mention of that which society, like philosophy, fails to get to grasp, may well only be reckoned with in the moment near ending. So, they carry on obsessing about this, that, and the other… <img width="1200" height="710" width_o="1200" height_o="710" data-src="https://freight.cargo.site/t/original/i/4c24a8e39bdb2f9f13b9a3b1f77da58df6902bff0a54615e98e59cb388699d9f/Post-Tinnital-7.png" data-mid="244790205" border="0" src="https://freight.cargo.site/w/1000/i/4c24a8e39bdb2f9f13b9a3b1f77da58df6902bff0a54615e98e59cb388699d9f/Post-Tinnital-7.png" />Therefore, the last, for now, cited terrain left to territorialise and capture completely and overtly, is in full swing. Its momentum, as yet, has met with less resistance than what would be necessary for full rational liberation. Unsurprisingly, the illogical is relentlessly sustained here, as the bidding being done by those whom are threatened by this form of systemic survival and violence, gains vengeful force and becomes more veracious and hence incrementally more violent. Particularly as the authors of this tyranny continue to spur them on, to greater lengths and with gradually more horrifying results — the illogical builds continually, unflinching, as the need for any actual sort of sophisticated propagation, begins to dissipate. To hack the body, this is it. The target of their discourse and the advancement of their interests. Suddenly, without scrutiny, now, this system should be trusted — they say. To them, the past habitually acknowledged and critiqued, un-belonging but inflicted, doesn’t indicate any need for such analysis. Its pathological brutalities have indicated nothing to them on this account it appears; only that in questioning its authority and enforced obligations should now be met with scorn, distrust and eventually, penalties — which manifestly, are never enough. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;This is its (in-)actions, its implementation and its structural process, which proclaims to them, amiable to it or not: let the formation of this, your mass psychosis, reign. Outro. From a rational perspective, a commitment is seen as a cascade of ramifying paths that is in the process of expanding its frontiers, developing into an evolving landscape, unmooring its fixed perspectives, deracinating any form of rootedness associated with a fixed commitment or immutable responsibilities, revising links and addresses between its old and new commitments, and finally, erasing any image of itself as “what it was supposed to be.” 1. The initial stage of this text-image exploratory test was/is intended to create a ‘ground’ that comes together through the conceptualisation of rational ‘autonomicity’, which these two research strands, regarding and reflecting tinnitus, focus on as a commitment to a type of ‘revisionary process’. The depiction of, and perceived automatic/independent effect of this auditory condition, coalesce around, respond to, and reflect the research potential of this idea of autonomy as a critically constituting concept for this work’s instalment and its character’s amalgamation. Hence, by consciously intervening on and within the assumed rationale of text (narrative) construction and image-making-presentation processes — in order to realign and reformulate these intentionally critical acts — one was/is attempting to challenge certain norms and ‘rules’ associated with the creation of such works and their ‘literal’ meanings, through the production of a dedicated ‘whole’ that comes from these two pieces, and crucially, to equally scrutinise the reading(s) of these selected works and their inevitable contingently produced aggregation in: Post-Tinnital Testing. This notion and application of ‘intervention’ aims to allow for greater access to the norms associated with the creation-presentation-experience triad for those involved in the various stages of this/its means, instance and act of presentation, and its eventual reading; allowing for a rational interrogation, questioning, and if need be, revision of these normative processes and the relations contained within this work’s sound-text-image making concatenations. Negarestani, R. (2014) ‘The Labor of the Inhuman, Part II: The Inhuman’, e-flux Journal, Issue #53. Available at: https://www.e-flux.com/journal/53/59893/the-labor-of-the-inhuman-part-ii-the-inhuman/ https://tamhare.com/Working-portfolio-2026 Tue, 20 Feb 2024 12:59:47 +0000 Tam Hare https://tamhare.com/Working-portfolio-2026 Tam Hare’s online working portfoliofor ‘the Abstract Child’ doctoral research project, 2026 ----- <img width="950" height="562" width_o="950" height_o="562" data-src="https://freight.cargo.site/t/original/i/ade7ce78edda3b9f6778f8a2d1729b3d733a2e25e0e0bc5b76e6c7527e1f46fc/Post-Tinnital-2_web.jpg" data-mid="205043622" border="0" alt="'Post-Tinnital' image, part of the recent visual research for my project" data-caption="'Post-Tinnital' image, part of the recent visual research for my project" src="https://freight.cargo.site/w/950/i/ade7ce78edda3b9f6778f8a2d1729b3d733a2e25e0e0bc5b76e6c7527e1f46fc/Post-Tinnital-2_web.jpg" /> cited text and performance works from the project, 2025/26… — note. relevant links to examples of work are found in these entries and in certain image captions These works have been put in rough chronological order relating to the project’s progression, and that of my fiction-theory texts and related performances… 1. Conditions of Redirection: A Trialogue – an ongoing collaboration between Två Cirklar and myself. This performance was given at Fylkingen on April 9th 2022. The final performance was between 45 and 50 minutes in duration. <img width="744" height="1052" width_o="744" height_o="1052" data-src="https://freight.cargo.site/t/original/i/a20499e5918c3826fd4a359c34a7166d3ac63e5b7b4d140e1905274bb007f760/Fylkingen-text_front-cover-design_web_pics-1.jpg" data-mid="205043579" border="0" src="https://freight.cargo.site/w/744/i/a20499e5918c3826fd4a359c34a7166d3ac63e5b7b4d140e1905274bb007f760/Fylkingen-text_front-cover-design_web_pics-1.jpg" /> <img width="744" height="1052" width_o="744" height_o="1052" data-src="https://freight.cargo.site/t/original/i/dff0183be6879c1274920b3e3424800804bc05646f2c410d8c24c65412f36299/Fylkingen-text_back-cover-design_web_pics-2.jpg" data-mid="205043612" border="0" src="https://freight.cargo.site/w/744/i/dff0183be6879c1274920b3e3424800804bc05646f2c410d8c24c65412f36299/Fylkingen-text_back-cover-design_web_pics-2.jpg" /> fig i &amp; ii. The front and back cover designs of 'Assured Un-certain Chances' (May 2021). This ‘fiction-theory’ text was performed as part of my ongoing collaboration with musicians ‘Två Cirklar’, at Fylkingen, Stockholm (April 9th 2022). Due to the Covid Pandemic, this event was rescheduled from its original performance date. As a reference, here are two short sections of this work’s development, performed and recorded with ‘Två Cirklar’ at Hospitalet’s project space in Uppsala: 1. December 2020 2. June 2021 <img width="744" height="1052" width_o="744" height_o="1052" data-src="https://freight.cargo.site/t/original/i/a296e06d560d5be6594b8d1ca30ac1cd4809e5d6d7a6c49bf46a8f5a4f75c174/Fylkingen-text_middle-spread-design_web_pics-3.jpg" data-mid="205043615" border="0" src="https://freight.cargo.site/w/744/i/a296e06d560d5be6594b8d1ca30ac1cd4809e5d6d7a6c49bf46a8f5a4f75c174/Fylkingen-text_middle-spread-design_web_pics-3.jpg" /> <img width="744" height="1052" width_o="744" height_o="1052" data-src="https://freight.cargo.site/t/original/i/27dee28fe6e614976c83bcc9a8c2cae84f700f59a9c8e47c9c820305cf460134/Fylkingen-text_middle-spread-design_web_pics-4.jpg" data-mid="205043617" border="0" src="https://freight.cargo.site/w/744/i/27dee28fe6e614976c83bcc9a8c2cae84f700f59a9c8e47c9c820305cf460134/Fylkingen-text_middle-spread-design_web_pics-4.jpg" /> fig iii &amp; iv. The middle page spread from 'Assured Un-certain Chances' (May 2021). — Here are recorded film and audio samples from our collaboration’s eventual performance, April 2022. [I am currently working on a complete film version of this performance which will have a superior audio-visual quality.] &nbsp; — Film clip 1 from the Fylkingen performance &nbsp; — Film clip 2 from the Fylkingen performance The quality of these recordings’ is not the greatest but hopefully this still gives a satisfactory indication of the work and this performance. <img width="750" height="750" width_o="750" height_o="750" data-src="https://freight.cargo.site/t/original/i/688a471ff0456ad61030ddda391d91cd74164d72682b70eacb2238653c4e6610/IMG_7030-1.png" data-mid="205043608" border="0" alt="Conditions of Redirection: A Trialogue, April 9th 2022" data-caption="Conditions of Redirection: A Trialogue, April 9th 2022" src="https://freight.cargo.site/w/750/i/688a471ff0456ad61030ddda391d91cd74164d72682b70eacb2238653c4e6610/IMG_7030-1.png" /> <img width="750" height="750" width_o="750" height_o="750" data-src="https://freight.cargo.site/t/original/i/6c334ab9e2abdefad1f69183a304042d4d612520f7a8605cee18e3f114e77bb5/IMG_7047-1.png" data-mid="205043609" border="0" alt="Conditions of Redirection: A Trialogue, April 2022" data-caption="Conditions of Redirection: A Trialogue, April 2022" src="https://freight.cargo.site/w/750/i/6c334ab9e2abdefad1f69183a304042d4d612520f7a8605cee18e3f114e77bb5/IMG_7047-1.png" /> <img width="750" height="750" width_o="750" height_o="750" data-src="https://freight.cargo.site/t/original/i/1f1316458a2f26cd9b4667c330f21d87adc40a7490226a42dcf230fa2088bac9/IMG_7049-1.png" data-mid="205043610" border="0" alt="'Conditions of Redirection: A Trialogue', April 2022" data-caption="'Conditions of Redirection: A Trialogue', April 2022" src="https://freight.cargo.site/w/750/i/1f1316458a2f26cd9b4667c330f21d87adc40a7490226a42dcf230fa2088bac9/IMG_7049-1.png" /> <img width="750" height="1000" width_o="750" height_o="1000" data-src="https://freight.cargo.site/t/original/i/a29f3603aa5f4dd6de5b728247d41d688fe5809436c0b887e43d6c59785d8366/IMG_7053-1.png" data-mid="205043611" border="0" alt="Conditions of Redirection: A Trialogue, April 2022" data-caption="Conditions of Redirection: A Trialogue, April 2022" src="https://freight.cargo.site/w/750/i/a29f3603aa5f4dd6de5b728247d41d688fe5809436c0b887e43d6c59785d8366/IMG_7053-1.png" /> fig v. (x4 slides) These images were taken during our performance at Fylkingen in Stockholm. <img width="1000" height="1477" width_o="1000" height_o="1477" data-src="https://freight.cargo.site/t/original/i/7c8bde4d8dc9c3505ca51347f0d822b7c271224419b93c33d6fa633102343c72/Fylkingen-Event-Image_for-website.png" data-mid="205043607" border="0" alt="Our poster for this event" data-caption="Our poster for this event" src="https://freight.cargo.site/w/1000/i/7c8bde4d8dc9c3505ca51347f0d822b7c271224419b93c33d6fa633102343c72/Fylkingen-Event-Image_for-website.png" /> fig vi. Here is a link to Fylkingen’s webpage, which contains our texts with more information about this event and collaboration. — The explanatory press texts in Swedish &amp; English, about the collaboration and performance, used as a handout during this event can be accessed here. <img width="1280" height="851" width_o="1280" height_o="851" data-src="https://freight.cargo.site/t/original/i/046a16f6a54a251206a50ede238fbdc0a50df2684e7b73670a5cb05195b7d7fa/DSC_0093.png" data-mid="205043594" border="0" src="https://freight.cargo.site/w/1000/i/046a16f6a54a251206a50ede238fbdc0a50df2684e7b73670a5cb05195b7d7fa/DSC_0093.png" /> fig vii. An installation shot of my photo-text exhibited and performed work ‘..., STAR, ...’. I exhibited this work during the exhibition ‘FRAGMENT’ (February 2020) at Sigtunastiftelsen, Sigtuna, Sweden. — note.&nbsp;A performance reading of this text with Två Cirklar can be heard here. This text is also part of the project’s development and is a key section in its final performance. — Primed (was the work's, and&nbsp;fiction-theory text’s working title), Oct. 2019 – April. 2022, at Fylkingen, a musical performance collaboration with Två Cirklar. Finally, as part of this work, I have also been producing an essay with Två Cirklar, provisionally titled Primed. This text examines the project and collaboration’s development, and is presently a work in progress. However, an initial draft section of it can be found here... 2.&nbsp;Tinnitus Channelled/Texts project <img width="850" height="621" width_o="850" height_o="621" data-src="https://freight.cargo.site/t/original/i/e6fa038d194c7236504b0b4b92eefaf714bf64d23425bf5b96f52f38f9ba1222/Post-Tinnital-1_web.png" data-mid="205043621" border="0" src="https://freight.cargo.site/w/850/i/e6fa038d194c7236504b0b4b92eefaf714bf64d23425bf5b96f52f38f9ba1222/Post-Tinnital-1_web.png" /> fig viii.'Post-Tinnital' image, part of the visual research for this workHere is a link to a recording of a short section from this ongoing work, Tinnitus Channelled, which I began collaborating on with musician, composer and artist John Bryden. As I begin to expand the collaborative potentials of the project, by bringing in other participants, this work with John will be a central critical foundation and collaboration over the next period of this research, into 2025 — being consistently assessed throughout. Subsequently, this short recorded reading with accompanying sounds, is from a section entitled Tapering Times.[— click the play icons in Google Drive view to listen and view this research content].Here are a number of other readings from the Tinnitus Texts works, beginning with...— a reading of sections created as connective passages between the main body of texts for this work. These directly respond to tinnitus as an auditory condition, within my fiction-theory writing.— My ‘tinnital recordings’ from Tinnitus Channelled— Two other selected recordings from this text works’ main passages can be found here also: Tinnitus Channelled 4 &amp; Tinnitus Channelled 5— For further reference, here are examples of one of John’s noise recordings &amp; one of his melodies US Useless, which we are presently experimenting with and expanding on. — And a final modular synth section brought together with a selected text reading.&nbsp;— Further text samples from this tinnitus work can be made available and included as part of this submission’s documentation, if requested...-----Here are the studio recordings of my readings of the Opening Section I of Tinnitus Channelled. These are being used in my ongoing collaborations, particularly with John in 2024 onwards. ----- — I have been working on a specific proposal for this Tinnitus Texts work and project (’within a project’). As part of this, I have been looking at possible opportunities for this work. Therefore, I have included here a recent application I made in Sweden. -----3. <img width="1067" height="1421" width_o="1067" height_o="1421" data-src="https://freight.cargo.site/t/original/i/240e4512373f06ded8834452a8b5d92ff334e4484b18f7854446b0ab44402a7d/Cover-Knowing_2.jpg" data-mid="205043584" border="0" src="https://freight.cargo.site/w/1000/i/240e4512373f06ded8834452a8b5d92ff334e4484b18f7854446b0ab44402a7d/Cover-Knowing_2.jpg" /> <img width="3201" height="4266" width_o="3201" height_o="4266" data-src="https://freight.cargo.site/t/original/i/3a30abe79f0fad74413214f9cf7244b4e4aa5f3109ffc8ff780cce2c1d0fd191/0001.jpg" data-mid="205043583" border="0" src="https://freight.cargo.site/w/1000/i/3a30abe79f0fad74413214f9cf7244b4e4aa5f3109ffc8ff780cce2c1d0fd191/0001.jpg" /> fig ix &amp; x. These images are the cover and first page designs of 'Cover Knowing' (April 2019). This exhibited installation work and accompanied ‘fiction-theory’ book were exhibited and displayed at Åhuset in Uppsala. 4. <img width="826" height="1169" width_o="826" height_o="1169" data-src="https://freight.cargo.site/t/original/i/4aa4a9e67a680c1a61778b85cd4724a125256f98bbcdb8fc1e4d6a22ca59bb71/Always-Pushing---the-image1.jpg" data-mid="205043585" border="0" src="https://freight.cargo.site/w/826/i/4aa4a9e67a680c1a61778b85cd4724a125256f98bbcdb8fc1e4d6a22ca59bb71/Always-Pushing---the-image1.jpg" /> <img width="738" height="1024" width_o="738" height_o="1024" data-src="https://freight.cargo.site/t/original/i/21e67882707b133418f1023b1746337b7726afa6b015279981ced409abc351bb/Ulleraker-photo_Always-Pushing_web.jpeg" data-mid="205043589" border="0" src="https://freight.cargo.site/w/738/i/21e67882707b133418f1023b1746337b7726afa6b015279981ced409abc351bb/Ulleraker-photo_Always-Pushing_web.jpeg" /> fig xi &amp; xii. Another of my speculative ‘fiction-theory’ text explorations and its devised structured design, ‘Always Pushing’, displayed with the archival portrait used in its creation. This piece was exhibited at Hospitalet, Uppsala in September 2018.&nbsp; 5. <img width="1240" height="1753" width_o="1240" height_o="1753" data-src="https://freight.cargo.site/t/original/i/c1d8fa7ae50dbc820572166cbe7d91d28c849828953bd9983472326d4338b215/in-the-portico4.jpg" data-mid="205043591" border="0" src="https://freight.cargo.site/w/1000/i/c1d8fa7ae50dbc820572166cbe7d91d28c849828953bd9983472326d4338b215/in-the-portico4.jpg" /> <img width="1240" height="1753" width_o="1240" height_o="1753" data-src="https://freight.cargo.site/t/original/i/83af1767aae426905d05885666884ffe2bb043a46bf71254b75a842d1753b324/in-the-portico1.jpg" data-mid="205043590" border="0" src="https://freight.cargo.site/w/1000/i/83af1767aae426905d05885666884ffe2bb043a46bf71254b75a842d1753b324/in-the-portico1.jpg" /> fig xiii &amp; xiv. The front, back page spread and designs, from the ‘Portico’ project text, exhibited at ‘A Little Bit Sad in One Eye’ exhibition (April 2018), for ‘Stockholm Art Week 2018’.----- 6. <img width="640" height="360" width_o="640" height_o="360" data-src="https://freight.cargo.site/t/original/i/9ba18207dfa458c5b979584c3759c6de3622f97bacf8cc91fb1c70c9010e2657/1.-AC_performance.jpg" data-mid="205043586" border="0" src="https://freight.cargo.site/w/640/i/9ba18207dfa458c5b979584c3759c6de3622f97bacf8cc91fb1c70c9010e2657/1.-AC_performance.jpg" /> <img width="3559" height="2700" width_o="3559" height_o="2700" data-src="https://freight.cargo.site/t/original/i/5d3b3dc7971380295c6d95df2a7252720b74e5c287d3f2e7f92fcb885eb044fa/118_sized-1.jpg" data-mid="205043618" border="0" src="https://freight.cargo.site/w/1000/i/5d3b3dc7971380295c6d95df2a7252720b74e5c287d3f2e7f92fcb885eb044fa/118_sized-1.jpg" /> fig xv &amp; xvi. The initial key text work from the Fylkingen performance of ‘Abstract Child: Only Ever Close’ (May 2016), with one of Anna Glantz’s commissioned images used in the project’s inception, its visuals and designs.&nbsp;This work and event was created as part of my funded project for the&nbsp;CuratorLab (2016) program at Konstfack, Stockholm.&nbsp; <img width="1616" height="2329" width_o="1616" height_o="2329" data-src="https://freight.cargo.site/t/original/i/0d1a03ec5ab1a5fb23f94dc7e7d2c1dc1b531077426bfc33326edd66e5362124/2.-AbstractChild_Publication-1.jpg" data-mid="205043593" border="0" src="https://freight.cargo.site/w/1000/i/0d1a03ec5ab1a5fb23f94dc7e7d2c1dc1b531077426bfc33326edd66e5362124/2.-AbstractChild_Publication-1.jpg" /> <img width="1754" height="1239" width_o="1754" height_o="1239" data-src="https://freight.cargo.site/t/original/i/0c5af2ea0587aef96d5b195e32758235b414e16d3d8b97d8f78a65ba98206bfc/AbstractChild_Publication5.jpg" data-mid="205043619" border="0" src="https://freight.cargo.site/w/1000/i/0c5af2ea0587aef96d5b195e32758235b414e16d3d8b97d8f78a65ba98206bfc/AbstractChild_Publication5.jpg" /> <img width="1754" height="1239" width_o="1754" height_o="1239" data-src="https://freight.cargo.site/t/original/i/8b88b4e7e0407e52fa33b0e1964a5c6502d3aebb8281d6a9ca03b43dcdb27da4/AbstractChild_Publication4.jpg" data-mid="205043620" border="0" src="https://freight.cargo.site/w/1000/i/8b88b4e7e0407e52fa33b0e1964a5c6502d3aebb8281d6a9ca03b43dcdb27da4/AbstractChild_Publication4.jpg" /> fig xvii &amp; xviii xix. The front, back cover and selected page designs from the ‘Abstract Child’ text publication. Presented and distributed at Fylkingen as part of its performance in May 2016. ----- 7. Foreign Objekt Residency (2023 –) I have included my work from the Foreign Objekt research group’s website, where I am currently a residency artist at their Posthuman Art Laboratory. Here are links to some of my relevant pages from their site:&nbsp; &nbsp; — current work and practice with Foreign Objekt from their Posthuman Lab and Sound Lab Presentations and Panels — my presentation can be found here, alongside others from the panel: Final Panel Presentations on Tinnitus Channelled I include my recent related work Post-Tinnital Testing for their exhibition, Intelligence Unbound as it is taken from aspects of my recent Tinnitus Channelled research also.----- 8. Växelspel Commission (2023 —)A project which centres on Stig Dagerman's work, this was commissioned by musician and artist Thommy Wahlström &amp; Kulturrådet, and involved a number of short improvised performance pieces given by five artists in this collaboration; firstly at Wiks Folkhögskola (September 2023), and UKK (June 2024), both in Uppsala. These are the selected sections of my tinnitus texts that I used for my improvised readings. -----9.&nbsp;Audio &amp; music work This is a selection of my relevant audio and music research on my SoundCloud, from various developmental works and collaborations. ----- 10. Project PresentationA final link to a recording of a short presentation of my PhD project w/ slides, from December 15th 2021 [click play on the video in Google Drive to view and hear].----- https://tamhare.com/Conditions-of-Redirection-A-Trialogue-2022 Wed, 27 Jul 2022 11:28:08 +0000 Tam Hare https://tamhare.com/Conditions-of-Redirection-A-Trialogue-2022 Conditions of Redirection: A Trialogue – This is an ongoing collaboration between Två Cirklar and myself. The first performance of which was given at Fylkingen on April 9th 2022. The final performance was between 45 and 50 minutes in duration. — Here are recorded film and audio clip samples from our collaboration’s eventual performance. [*I am currently working on a complete film version of this performance. This will have a superior audio-visual quality that represents more accurately how this was on the evening for the audience.] &nbsp; — A short film clip from this Fylkingen performance, as an example &nbsp; — A short audio section from this performance also Again, these recordings’ quality is not the greatest but it hopefully still gives an adaquate indication of some of the work and its performance. <img width="750" height="1000" width_o="750" height_o="1000" data-src="https://freight.cargo.site/t/original/i/a29f3603aa5f4dd6de5b728247d41d688fe5809436c0b887e43d6c59785d8366/IMG_7053-1.png" data-mid="148899673" border="0" alt="Conditions of Redirection: A Trialogue, April 2022" data-caption="Conditions of Redirection: A Trialogue, April 2022" src="https://freight.cargo.site/w/750/i/a29f3603aa5f4dd6de5b728247d41d688fe5809436c0b887e43d6c59785d8366/IMG_7053-1.png" /> <img width="750" height="750" width_o="750" height_o="750" data-src="https://freight.cargo.site/t/original/i/6c334ab9e2abdefad1f69183a304042d4d612520f7a8605cee18e3f114e77bb5/IMG_7047-1.png" data-mid="148899653" border="0" alt="Conditions of Redirection: A Trialogue, April 2022" data-caption="Conditions of Redirection: A Trialogue, April 2022" src="https://freight.cargo.site/w/750/i/6c334ab9e2abdefad1f69183a304042d4d612520f7a8605cee18e3f114e77bb5/IMG_7047-1.png" /> <img width="750" height="750" width_o="750" height_o="750" data-src="https://freight.cargo.site/t/original/i/1f1316458a2f26cd9b4667c330f21d87adc40a7490226a42dcf230fa2088bac9/IMG_7049-1.png" data-mid="148899680" border="0" alt="Conditions of Redirection: A Trialogue, April 2022" data-caption="Conditions of Redirection: A Trialogue, April 2022" src="https://freight.cargo.site/w/750/i/1f1316458a2f26cd9b4667c330f21d87adc40a7490226a42dcf230fa2088bac9/IMG_7049-1.png" /> <img width="750" height="750" width_o="750" height_o="750" data-src="https://freight.cargo.site/t/original/i/688a471ff0456ad61030ddda391d91cd74164d72682b70eacb2238653c4e6610/IMG_7030-1.png" data-mid="148899677" border="0" alt="Conditions of Redirection: A Trialogue, April 2022" data-caption="Conditions of Redirection: A Trialogue, April 2022" src="https://freight.cargo.site/w/750/i/688a471ff0456ad61030ddda391d91cd74164d72682b70eacb2238653c4e6610/IMG_7030-1.png" /> (x4 slides) These images were taken during our performance at Fylkingen in Stockholm... <img width="1000" height="1477" width_o="1000" height_o="1477" data-src="https://freight.cargo.site/t/original/i/7c8bde4d8dc9c3505ca51347f0d822b7c271224419b93c33d6fa633102343c72/Fylkingen-Event-Image_for-website.png" data-mid="148899915" border="0" alt="The poster for our event" data-caption="The poster for our event" src="https://freight.cargo.site/w/1000/i/7c8bde4d8dc9c3505ca51347f0d822b7c271224419b93c33d6fa633102343c72/Fylkingen-Event-Image_for-website.png" /> — Here is a link to Fylkingen’s webpage, which contains our texts with more information regarding this event and collaboration.— The concise explanatory press texts about the collaboration and performance, used as a handout during the event can be accessed here also. https://tamhare.com/Nothing-s-Really-Matter-2021 Fri, 10 Sep 2021 12:06:48 +0000 Tam Hare https://tamhare.com/Nothing-s-Really-Matter-2021 Tam Hare’s Exhibition Text for Kulturgård Exhibition, Sigtuna, May 2021 Nothing’s Really Matter (2021) Mixed media* ‘non-painting’ relief on 475 g black building paper [*includes typical art and ‘non-art’ materials] 55 x 80 cm ...one cannot have the intelligible without reasons as minimal constraints of thinking and action. 1 <img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/c50bead10c35bd9aedec2e52c5f6df68567a41a8b2270298ab401a7b93b97b4a/IMG_1724.jpeg" data-mid="118534709" border="0" src="https://freight.cargo.site/w/1000/i/c50bead10c35bd9aedec2e52c5f6df68567a41a8b2270298ab401a7b93b97b4a/IMG_1724.jpeg" /> <img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/ca17ee3fccb32bf5e9d950b1093ac8590e20a13da906525359f64fff5de5daaa/IMG_1730.jpeg" data-mid="118534710" border="0" src="https://freight.cargo.site/w/1000/i/ca17ee3fccb32bf5e9d950b1093ac8590e20a13da906525359f64fff5de5daaa/IMG_1730.jpeg" /> <img width="1280" height="991" width_o="1280" height_o="991" data-src="https://freight.cargo.site/t/original/i/a1e5bb6487125eae0a07d26dae4553fc5c6898d500f63ebb261e2d0259543b42/IMG_1734.jpeg" data-mid="118534715" border="0" src="https://freight.cargo.site/w/1000/i/a1e5bb6487125eae0a07d26dae4553fc5c6898d500f63ebb261e2d0259543b42/IMG_1734.jpeg" /> <img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/73a38ff4504fcc786be5e43e1cbc535918e9df97a98fa6ca675fe36bac14bc55/IMG_1741.jpeg" data-mid="118534716" border="0" src="https://freight.cargo.site/w/1000/i/73a38ff4504fcc786be5e43e1cbc535918e9df97a98fa6ca675fe36bac14bc55/IMG_1741.jpeg" /> Nothing’s Really Matter is Tam Hare’s current work in a recent experimental disciplinary approach to his research into, speculations on materiality and matter. This evolving project explores various self- determined, rule-governed practices, which have been designed alongside ever-changing occurrences that the work’s processes generate. Tam terms these pieces in this series and the verb of its creation, a ‘non-painting’ object. By using a carefully devised, rule-defined system of material applications, his intentions for the work produce aesthetic and material discoveries. The materials used are crucial to this exploration, as he has intentionally utilised a range of associated art and non-art products. Some are domestic materials and food products, which are prepared and then applied to the picture in layers. A structure of layering has been utilised, in this instance, as a compulsive vertical application process. The up-and-down action is identical each time, for all layers; carefully and repetitively applying the materials numerous times. The many applications ultimately create the picture and reveal the results of these experimental actions. Finally, this work merges with Tam’s longstanding research into the adoption of constructed, self- imposed systems and their ‘constraints’ as an element of his speculative creative practice. “there is no mysticism or supernatural component in this enablement by self-imposed constraints”2. Therefore, for him, a necessary task now remains: to do and reveal ‘something’ within such ‘constraints’, not despite them. A footnote reference to the quote used on this work&nbsp;3 ..... Tam Hare (b. 1983 in Edinburgh, Scotland) is an artist, writer-researcher and PhD candidate based in Uppsala. The foundations of his research are primarily text-based, however, performance, sound, design, photography and film, typically merge as key elements in his practice. In addition, he works collaboratively, curatorially and in arts production. Mail: tam_hare@hotmail.com Web: www.tamhare.com ----- 1. Negarestani, R. ‘The Inhuman (a quick read)’, TOY PHILOSOPHY [web blog], Critical Philosophy Program, The New Centre, 2019, 8 April 2018, part 4., https://toyphilosophy.com/2018/04/08/the- inhuman-a-quick-read/, (accessed 27 July 2020). 2. Ibid, part 5-1. 3. Deleuze, G., Guattari, F. (2005). A Thousand Plateaus, Translated by B. Massumi. (Minneapolis: University of Minnesota Press, USA, 1987), p. 3. https://tamhare.com/Everybody-Gets-it-in-the-End-2020 Sun, 27 Sep 2020 12:22:18 +0000 Tam Hare https://tamhare.com/Everybody-Gets-it-in-the-End-2020 Exhibition Text for Livet (w/ Konstfrämjandet), Uppsala, August — September 2020 Tam Hare Everybody Gets it in the End (2020) Mixed media ‘non-painting’ relief on 475 g black building paper 60 x 70 cm 10,500 SEK …one cannot have the intelligible without reasons as minimal constraints of thinking and action. Everybody Gets it in the End, takes a new disciplinary approach to Tam Hare’s research into philosophical speculations on materiality. His ever evolving project and critical exploration continues to examine various self-determined, consecutive, rule-governed practices. These have been designed alongside the inevitable, contingent occurrences and phenomenons that this process generates. Tam terms his piece and the verb of its creation, a ‘non-painting’ object. By using a carefully devised system of rule-defined procedures of material application, the work and his intentions for it, are a type of aesthetic and material discovery. The materials used are crucial to this exploration, as he has intentionally allowed for a range of associated art and non-art products — some of these are domestic and food products, all of which though, are applied to the picture as layers. This structure of layering has been utilised as a compulsive vertical application process, back and forth, from top to bottom. The action is identical each time, for all layers; carefully and repetitively applying the system, numerous times. With a final process taking place during the period of the outside exhibition, Livet. This will ultimately create the picture, as it is exposed to the environmental elements affecting its production through their continued impact on its appearance. Finally, the work merges with Tam’s longstanding research into the adoption of constructed, rule-governed, self-imposed systems and their ‘minimal constraints’ as a vital element of his speculative, creative practice. “there is no mysticism or supernatural component in this enablement by self-imposed constraints”therefore, a necessary task now remains: to do ‘something’ within such ‘constraints’ and not despite them. ..... 1. Negarestani, R. ‘The Inhuman (a quick read)’, TOY PHILOSOPHY [web blog], Critical Philosophy Program, The New Centre, 2019, 8 April 2018, part 4., https://toyphilosophy.com/2018/04/08/the-inhuman-a-quick-read/, (accessed 27 July 2020). 2. Ibid, part 5-1. <img width="2309" height="3079" width_o="2309" height_o="3079" data-src="https://freight.cargo.site/t/original/i/0d7decf00fd302ad355bd84e02fca8ceb83b2a145a685693f821aef8a0a86952/IMG_1238-1.jpg" data-mid="83881799" border="0" src="https://freight.cargo.site/w/1000/i/0d7decf00fd302ad355bd84e02fca8ceb83b2a145a685693f821aef8a0a86952/IMG_1238-1.jpg" /> <img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/f83fcc5231f92b1e59fb9b3d20ea182943488ef392aa8ec3067e036910e1c7e7/IMG_1197-1.jpg" data-mid="83881800" border="0" src="https://freight.cargo.site/w/1000/i/f83fcc5231f92b1e59fb9b3d20ea182943488ef392aa8ec3067e036910e1c7e7/IMG_1197-1.jpg" /> <img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/507edf4eac5b9ccce1b7637ce2091859c9722b69348cad092f02a19ae21cd65c/IMG_1251-1.jpg" data-mid="83881802" border="0" src="https://freight.cargo.site/w/1000/i/507edf4eac5b9ccce1b7637ce2091859c9722b69348cad092f02a19ae21cd65c/IMG_1251-1.jpg" /> <img width="2388" height="2388" width_o="2388" height_o="2388" data-src="https://freight.cargo.site/t/original/i/858729a1cb0f0582a67167a32302feb505dea5093d599f022b44283554703aa4/IMG_1203-1.jpg" data-mid="83881803" border="0" src="https://freight.cargo.site/w/1000/i/858729a1cb0f0582a67167a32302feb505dea5093d599f022b44283554703aa4/IMG_1203-1.jpg" /> <img width="2448" height="2448" width_o="2448" height_o="2448" data-src="https://freight.cargo.site/t/original/i/8136cbb280d3ce2b1655e7dabf9219b2769c25f5b562528bb6b73a1d13a1e31e/IMG_1215-1.jpg" data-mid="83881804" border="0" src="https://freight.cargo.site/w/1000/i/8136cbb280d3ce2b1655e7dabf9219b2769c25f5b562528bb6b73a1d13a1e31e/IMG_1215-1.jpg" /> <img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/ac9bec679d2d200c786c6e6bbe2e906d17538ba9996aaa63062564c40da0ebdc/IMG_1228-1.jpg" data-mid="83881805" border="0" src="https://freight.cargo.site/w/1000/i/ac9bec679d2d200c786c6e6bbe2e906d17538ba9996aaa63062564c40da0ebdc/IMG_1228-1.jpg" /> <img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/292c4dab17be7180e2fd3634b30befb53e54c9de23f0dd83ee7b06687e594cf5/IMG_1240-1.jpg" data-mid="83881806" border="0" src="https://freight.cargo.site/w/1000/i/292c4dab17be7180e2fd3634b30befb53e54c9de23f0dd83ee7b06687e594cf5/IMG_1240-1.jpg" /> <img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/74aef5d3efa2fc9cd38cd330ce4bc21528c815a552da8e5c923189cfe628c105/IMG_1319-1.jpg" data-mid="83881807" border="0" src="https://freight.cargo.site/w/1000/i/74aef5d3efa2fc9cd38cd330ce4bc21528c815a552da8e5c923189cfe628c105/IMG_1319-1.jpg" /> <img width="2448" height="2448" width_o="2448" height_o="2448" data-src="https://freight.cargo.site/t/original/i/3c6db123451e211a8f99ea9f3c0da4591451449742e3255ceaf37eb66189cb46/IMG_1211-1.jpg" data-mid="83881808" border="0" src="https://freight.cargo.site/w/1000/i/3c6db123451e211a8f99ea9f3c0da4591451449742e3255ceaf37eb66189cb46/IMG_1211-1.jpg" /> https://tamhare.com/STAR-2019-20 Thu, 02 Apr 2020 10:41:59 +0000 Tam Hare https://tamhare.com/STAR-2019-20 <img width="5669" height="4134" width_o="5669" height_o="4134" data-src="https://freight.cargo.site/t/original/i/3ee733c0ed2af5b8df727bef404e65d23b66305294b47421d97dca41128296b0/wall-display.jpg" data-mid="65430303" border="0" src="https://freight.cargo.site/w/1000/i/3ee733c0ed2af5b8df727bef404e65d23b66305294b47421d97dca41128296b0/wall-display.jpg" /> <img width="1239" height="1754" width_o="1239" height_o="1754" data-src="https://freight.cargo.site/t/original/i/da589775c4e5f92e8597b30099768459d69873318685f0879f5f58ca7def83f9/Fragmented-Eastman_no-numbers1.jpg" data-mid="65430306" border="0" src="https://freight.cargo.site/w/1000/i/da589775c4e5f92e8597b30099768459d69873318685f0879f5f58ca7def83f9/Fragmented-Eastman_no-numbers1.jpg" /> <img width="1239" height="1754" width_o="1239" height_o="1754" data-src="https://freight.cargo.site/t/original/i/44b35ea6ee955372c3ebfc925dece4368edf3636132841b6b760ff052b93e873/Fragmented-Eastman_no-numbers2.jpg" data-mid="65430305" border="0" src="https://freight.cargo.site/w/1000/i/44b35ea6ee955372c3ebfc925dece4368edf3636132841b6b760ff052b93e873/Fragmented-Eastman_no-numbers2.jpg" /> <img width="1239" height="1754" width_o="1239" height_o="1754" data-src="https://freight.cargo.site/t/original/i/2c5ff943064f0ea1fc58d0b62e8ce5b7bb233c138e7f60d88d5fbb365b9519eb/Fragmented-Eastman_no-numbers3.jpg" data-mid="65430304" border="0" src="https://freight.cargo.site/w/1000/i/2c5ff943064f0ea1fc58d0b62e8ce5b7bb233c138e7f60d88d5fbb365b9519eb/Fragmented-Eastman_no-numbers3.jpg" /> <img width="13890" height="9270" width_o="13890" height_o="9270" data-src="https://freight.cargo.site/t/original/i/32601074ef33752d6c6750d9a85cbde47bb6f576088c5305369241558df57dc9/wall-material_web.jpg" data-mid="65430301" border="0" src="https://freight.cargo.site/w/1000/i/32601074ef33752d6c6750d9a85cbde47bb6f576088c5305369241558df57dc9/wall-material_web.jpg" /> <img width="1414" height="1788" width_o="1414" height_o="1788" data-src="https://freight.cargo.site/t/original/i/befc336e2a8aa2048ccc7a095c6d1b5e80d4397debd9215868edab343a4d8b0f/Julius-Eastman_portrait2.png" data-mid="65430563" border="0" src="https://freight.cargo.site/w/1000/i/befc336e2a8aa2048ccc7a095c6d1b5e80d4397debd9215868edab343a4d8b0f/Julius-Eastman_portrait2.png" /> <img width="13890" height="9270" width_o="13890" height_o="9270" data-src="https://freight.cargo.site/t/original/i/7117fae3bccd5f75dccbf53cfe93c5ddc0bb28b6545ebe1afd1806ecf863af5b/ground-material_web.jpg" data-mid="65430302" border="0" src="https://freight.cargo.site/w/1000/i/7117fae3bccd5f75dccbf53cfe93c5ddc0bb28b6545ebe1afd1806ecf863af5b/ground-material_web.jpg" /> – I exhibited this work for the exhibition&nbsp;FRAGMENT (February 2020) at Sigtunastiftelsen. It was a photo, text, design and installation work entitled …, STAR, ... <img width="1280" height="857" width_o="1280" height_o="857" data-src="https://freight.cargo.site/t/original/i/824928647b65ce15a828c9fea913e78e08fb307641df91f71fde6a34183ffb46/DSC_0092.png" data-mid="65435014" border="0" alt="some shots from the exhibition installation" data-caption="some shots from the exhibition installation" src="https://freight.cargo.site/w/1000/i/824928647b65ce15a828c9fea913e78e08fb307641df91f71fde6a34183ffb46/DSC_0092.png" /> <img width="1280" height="851" width_o="1280" height_o="851" data-src="https://freight.cargo.site/t/original/i/046a16f6a54a251206a50ede238fbdc0a50df2684e7b73670a5cb05195b7d7fa/DSC_0093.png" data-mid="65435016" border="0" src="https://freight.cargo.site/w/1000/i/046a16f6a54a251206a50ede238fbdc0a50df2684e7b73670a5cb05195b7d7fa/DSC_0093.png" /> <img width="1280" height="857" width_o="1280" height_o="857" data-src="https://freight.cargo.site/t/original/i/d54c1b16ab8aa9587e01fe3888e32cc286a5f4dea7e8354305ed487e5da60048/DSC_0050.png" data-mid="65435015" border="0" src="https://freight.cargo.site/w/1000/i/d54c1b16ab8aa9587e01fe3888e32cc286a5f4dea7e8354305ed487e5da60048/DSC_0050.png" /> <img width="1280" height="857" width_o="1280" height_o="857" data-src="https://freight.cargo.site/t/original/i/45a8332cc3caaf0857511d09ff3ab5fac0da770d3222f0967c2eeff1f11f9adb/DSC_0044.png" data-mid="65435017" border="0" alt="'..., STAR, ...' in the 'Fragment' exhibition at " data-caption="'..., STAR, ...' in the 'Fragment' exhibition at " src="https://freight.cargo.site/w/1000/i/45a8332cc3caaf0857511d09ff3ab5fac0da770d3222f0967c2eeff1f11f9adb/DSC_0044.png" /> <img width="1280" height="857" width_o="1280" height_o="857" data-src="https://freight.cargo.site/t/original/i/632ddf577168cec73b069df88180e82229a8eb287a59ccf76b3d91516128a913/DSC_0094.png" data-mid="65435018" border="0" alt="'..., STAR, ...' in the 'Fragment' exhibition at Sigtunastiftelsen" data-caption="'..., STAR, ...' in the 'Fragment' exhibition at Sigtunastiftelsen" src="https://freight.cargo.site/w/1000/i/632ddf577168cec73b069df88180e82229a8eb287a59ccf76b3d91516128a913/DSC_0094.png" /> <img width="1280" height="857" width_o="1280" height_o="857" data-src="https://freight.cargo.site/t/original/i/cdf99ab3a1ee377352c91104f4e4782846512809e5f5770e2ecfc4d62b5e2747/DSC_0091.png" data-mid="65435019" border="0" src="https://freight.cargo.site/w/1000/i/cdf99ab3a1ee377352c91104f4e4782846512809e5f5770e2ecfc4d62b5e2747/DSC_0091.png" /> <img width="1280" height="844" width_o="1280" height_o="844" data-src="https://freight.cargo.site/t/original/i/12d852cb72357c4a7e9a3593ddd79bb0faedc8bcc87ba0ae52f71d5916f3f655/DSC_0042.png" data-mid="65435028" border="0" src="https://freight.cargo.site/w/1000/i/12d852cb72357c4a7e9a3593ddd79bb0faedc8bcc87ba0ae52f71d5916f3f655/DSC_0042.png" /> <img width="1280" height="857" width_o="1280" height_o="857" data-src="https://freight.cargo.site/t/original/i/44e1efe171caa679aa581a55d4492588b9385428fd885fb8c4284f43ccd667a6/DSC_0049.png" data-mid="65435029" border="0" src="https://freight.cargo.site/w/1000/i/44e1efe171caa679aa581a55d4492588b9385428fd885fb8c4284f43ccd667a6/DSC_0049.png" /> https://tamhare.com/Cover-Knowing-2019 Tue, 21 May 2019 12:32:20 +0000 Tam Hare https://tamhare.com/Cover-Knowing-2019 <img width="1067" height="1421" width_o="1067" height_o="1421" data-src="https://freight.cargo.site/t/original/i/917f5fdf05d5b81d1f078a33e017a87e1bbd83b2424fdc21d2bcad7f4308ba73/Final-Design_page_1.jpg" data-mid="42976812" border="0" src="https://freight.cargo.site/w/1000/i/917f5fdf05d5b81d1f078a33e017a87e1bbd83b2424fdc21d2bcad7f4308ba73/Final-Design_page_1.jpg" /> <img width="3201" height="4266" width_o="3201" height_o="4266" data-src="https://freight.cargo.site/t/original/i/28d0ed568d0d0b10f78f961a28c38256e9728d895b0a50840497125a1e0f3193/0002.jpg" data-mid="65066792" border="0" src="https://freight.cargo.site/w/1000/i/28d0ed568d0d0b10f78f961a28c38256e9728d895b0a50840497125a1e0f3193/0002.jpg" /> <img width="3201" height="4266" width_o="3201" height_o="4266" data-src="https://freight.cargo.site/t/original/i/2b6627ef949ce1f68d2d2dc1ac30f68d85b042bfc8401026fd76d7cd0a67861d/0003.jpg" data-mid="65066786" border="0" src="https://freight.cargo.site/w/1000/i/2b6627ef949ce1f68d2d2dc1ac30f68d85b042bfc8401026fd76d7cd0a67861d/0003.jpg" /> <img width="3201" height="4266" width_o="3201" height_o="4266" data-src="https://freight.cargo.site/t/original/i/fd666e6301162334bc9e08502a4d2060e57ca4728bf1e8c24af2b02629261def/0004.jpg" data-mid="65066795" border="0" src="https://freight.cargo.site/w/1000/i/fd666e6301162334bc9e08502a4d2060e57ca4728bf1e8c24af2b02629261def/0004.jpg" /> <img width="3201" height="4266" width_o="3201" height_o="4266" data-src="https://freight.cargo.site/t/original/i/69554875d59eb441aa0999847117ef69d72baeda7909d92b04d628611d8b6a1a/0005.jpg" data-mid="65066797" border="0" src="https://freight.cargo.site/w/1000/i/69554875d59eb441aa0999847117ef69d72baeda7909d92b04d628611d8b6a1a/0005.jpg" /> <img width="3201" height="4266" width_o="3201" height_o="4266" data-src="https://freight.cargo.site/t/original/i/33231d83d49cc9b8de6d041f267de849b55b2b92313342ae5b821f4da54332f7/0006.jpg" data-mid="65066799" border="0" src="https://freight.cargo.site/w/1000/i/33231d83d49cc9b8de6d041f267de849b55b2b92313342ae5b821f4da54332f7/0006.jpg" /> <img width="3201" height="4266" width_o="3201" height_o="4266" data-src="https://freight.cargo.site/t/original/i/4e5d3dc182b5d2ecf30cb0e5b63a435a61c14915bfeac517d80125af01975f90/0007.jpg" data-mid="65066793" border="0" src="https://freight.cargo.site/w/1000/i/4e5d3dc182b5d2ecf30cb0e5b63a435a61c14915bfeac517d80125af01975f90/0007.jpg" /> <img width="3201" height="4266" width_o="3201" height_o="4266" data-src="https://freight.cargo.site/t/original/i/271b60306b9bf33d8f3e1653a80406373ad8e60e8d30b3dc2dcec143340cecb9/0008.jpg" data-mid="65066785" border="0" src="https://freight.cargo.site/w/1000/i/271b60306b9bf33d8f3e1653a80406373ad8e60e8d30b3dc2dcec143340cecb9/0008.jpg" /> <img width="3201" height="4266" width_o="3201" height_o="4266" data-src="https://freight.cargo.site/t/original/i/107dbf18386e2dfd59648c20d524a39ecb7b24b4d666b9414b5d09a77666c04d/0009.jpg" data-mid="65066794" border="0" src="https://freight.cargo.site/w/1000/i/107dbf18386e2dfd59648c20d524a39ecb7b24b4d666b9414b5d09a77666c04d/0009.jpg" /> <img width="3201" height="4266" width_o="3201" height_o="4266" data-src="https://freight.cargo.site/t/original/i/0760d85b2c2ad5f68b5c0cd017546f5c785cf235fe744d6b335b4c0ccb1871b9/0010.jpg" data-mid="65066787" border="0" src="https://freight.cargo.site/w/1000/i/0760d85b2c2ad5f68b5c0cd017546f5c785cf235fe744d6b335b4c0ccb1871b9/0010.jpg" /> <img width="3201" height="4266" width_o="3201" height_o="4266" data-src="https://freight.cargo.site/t/original/i/390c38c88794725af2f8a2a5b2b204c971d5c2af563f416f9be6ab1a95d1719e/0011.jpg" data-mid="65066788" border="0" src="https://freight.cargo.site/w/1000/i/390c38c88794725af2f8a2a5b2b204c971d5c2af563f416f9be6ab1a95d1719e/0011.jpg" /> <img width="3201" height="4266" width_o="3201" height_o="4266" data-src="https://freight.cargo.site/t/original/i/d9b29b12f727ee7e4c98fc775abdb52a432df194b51d26c2d2c9d1b0cff13cb4/0012.jpg" data-mid="65066789" border="0" src="https://freight.cargo.site/w/1000/i/d9b29b12f727ee7e4c98fc775abdb52a432df194b51d26c2d2c9d1b0cff13cb4/0012.jpg" /> <img width="3201" height="4266" width_o="3201" height_o="4266" data-src="https://freight.cargo.site/t/original/i/b53f831c9f1413e2e2f984e68cb9240e256585a590311bab2c414bb2292e078b/0013.jpg" data-mid="65066790" border="0" src="https://freight.cargo.site/w/1000/i/b53f831c9f1413e2e2f984e68cb9240e256585a590311bab2c414bb2292e078b/0013.jpg" /> – for&nbsp;BEYOND UTMARKER (May 2019) at Åhuset, Uppsala, w/ Ateljéföreningen Hospitalet, a photo, text, booklet and installation work entitled Cover Knowing https://tamhare.com/Cover-Knowing-images-w-texts Wed, 08 Apr 2020 14:26:55 +0000 Tam Hare https://tamhare.com/Cover-Knowing-images-w-texts – Here is the photo, text, booklet and installation work,&nbsp;Cover Knowing from the&nbsp;BEYOND UTMARKER&nbsp;exhibition (May 2019), w/ Ateljéföreningen Hospitalet at Åhuset, Uppsala A photo gallery, with the images, adjoining texts and gallery link, has been created below. <img width="3980" height="2665" width_o="3980" height_o="2665" data-src="https://freight.cargo.site/t/original/i/5c539bfbcbf77a53272ca520ae3dac0b15e62ce634c288b9f05195f5461a3212/Small_5_40cm.jpeg" data-mid="66171345" border="0" alt="hidden impressions" data-caption="hidden impressions" src="https://freight.cargo.site/w/1000/i/5c539bfbcbf77a53272ca520ae3dac0b15e62ce634c288b9f05195f5461a3212/Small_5_40cm.jpeg" /> <img width="3956" height="2648" width_o="3956" height_o="2648" data-src="https://freight.cargo.site/t/original/i/b619171e7e90403efd9ea4ecc0f2d4a7625c003b258936bfca7e9cdfc609b80b/Small_2_40cm.jpeg" data-mid="66171332" border="0" alt="never merge" data-caption="never merge" src="https://freight.cargo.site/w/1000/i/b619171e7e90403efd9ea4ecc0f2d4a7625c003b258936bfca7e9cdfc609b80b/Small_2_40cm.jpeg" /> <img width="3957" height="2637" width_o="3957" height_o="2637" data-src="https://freight.cargo.site/t/original/i/78d9f83025e7d9524e15d8464444962b0a135ded98b0c64155f4d0ab0e44d32d/Small_3_40cm.jpeg" data-mid="66171335" border="0" alt=" scrutinise proportionate noise deeper" data-caption=" scrutinise proportionate noise deeper" src="https://freight.cargo.site/w/1000/i/78d9f83025e7d9524e15d8464444962b0a135ded98b0c64155f4d0ab0e44d32d/Small_3_40cm.jpeg" /> <img width="3955" height="2636" width_o="3955" height_o="2636" data-src="https://freight.cargo.site/t/original/i/b3f4503064977f72845e1d1905b1ee10558fd68637e11f42a7b1d8ab4e698606/Smallest_7_30cm.jpeg" data-mid="66171375" border="0" alt="programmed thoughts" data-caption="programmed thoughts" src="https://freight.cargo.site/w/1000/i/b3f4503064977f72845e1d1905b1ee10558fd68637e11f42a7b1d8ab4e698606/Smallest_7_30cm.jpeg" /> <img width="3956" height="2648" width_o="3956" height_o="2648" data-src="https://freight.cargo.site/t/original/i/3fdd61ce37f98d6ddf0a9891215af90f45689241b50be8da96ff100e9b7f038b/Large_2_45cm.jpeg" data-mid="66171321" border="0" alt="marginal reason applies; limiting progress" data-caption="marginal reason applies; limiting progress" src="https://freight.cargo.site/w/1000/i/3fdd61ce37f98d6ddf0a9891215af90f45689241b50be8da96ff100e9b7f038b/Large_2_45cm.jpeg" /> <img width="3869" height="2579" width_o="3869" height_o="2579" data-src="https://freight.cargo.site/t/original/i/eaff99f1538c5cc3d9aab5d64e6ebe16483d887d6de44685109f17e25a685c5d/Large_1_45cm.jpeg" data-mid="66171312" border="0" alt="only reason applies in the best of times" data-caption="only reason applies in the best of times" src="https://freight.cargo.site/w/1000/i/eaff99f1538c5cc3d9aab5d64e6ebe16483d887d6de44685109f17e25a685c5d/Large_1_45cm.jpeg" /> <img width="3956" height="2648" width_o="3956" height_o="2648" data-src="https://freight.cargo.site/t/original/i/40929a668916e2dc837ffc78abab847b0cdc1ad068bffc46103cb19c483eb49a/Small_1_40cm.jpeg" data-mid="66171326" border="0" alt="pleasing programs covered therefore" data-caption="pleasing programs covered therefore" src="https://freight.cargo.site/w/1000/i/40929a668916e2dc837ffc78abab847b0cdc1ad068bffc46103cb19c483eb49a/Small_1_40cm.jpeg" /> <img width="3922" height="2353" width_o="3922" height_o="2353" data-src="https://freight.cargo.site/t/original/i/f97182564681c20790d78ce29e10633e412a8f105605d8c9e55536c4017b7b4c/Small_4_40cm.jpeg" data-mid="66171340" border="0" alt="histories&rsquo; convenient contradictions" data-caption="histories’ convenient contradictions" src="https://freight.cargo.site/w/1000/i/f97182564681c20790d78ce29e10633e412a8f105605d8c9e55536c4017b7b4c/Small_4_40cm.jpeg" /> <img width="3959" height="2554" width_o="3959" height_o="2554" data-src="https://freight.cargo.site/t/original/i/f65726ab546d1cf1c18521c5a0f4b29004ff3e417c11fe1b3cf9b3e3190adc92/Small_6_40cm.jpeg" data-mid="66171360" border="0" alt="cold lifts material and functions" data-caption="cold lifts material and functions" src="https://freight.cargo.site/w/1000/i/f65726ab546d1cf1c18521c5a0f4b29004ff3e417c11fe1b3cf9b3e3190adc92/Small_6_40cm.jpeg" /> quietly amusing loss... ..... – There are also a number of images (link) from the installation of this work, from the Beyond Utmarker exhibition at Åhuset. https://tamhare.com/Always-Pushing-2018 Tue, 31 Mar 2020 12:17:56 +0000 Tam Hare https://tamhare.com/Always-Pushing-2018 <img width="642" height="862" width_o="642" height_o="862" data-src="https://freight.cargo.site/t/original/i/bd66ad8b914aa8a9707a3dbb1d30ddc3920eaff84db257cb9bf50a657175284c/20180722_153343.jpg" data-mid="65184865" border="0" src="https://freight.cargo.site/w/642/i/bd66ad8b914aa8a9707a3dbb1d30ddc3920eaff84db257cb9bf50a657175284c/20180722_153343.jpg" /> <img width="1240" height="1753" width_o="1240" height_o="1753" data-src="https://freight.cargo.site/t/original/i/910573943a7914452f4da5ac07b49e688d48f48141381929ee48bda79e31e617/Intro-piece_Always-Pushing_final1.jpg" data-mid="65186538" border="0" src="https://freight.cargo.site/w/1000/i/910573943a7914452f4da5ac07b49e688d48f48141381929ee48bda79e31e617/Intro-piece_Always-Pushing_final1.jpg" /> <img width="1240" height="1753" width_o="1240" height_o="1753" data-src="https://freight.cargo.site/t/original/i/dfba314046a56fecc33eae0653aa72dbf389572913839d4fe19ca0b23a523a94/Intro-piece_Always-Pushing_final2.jpg" data-mid="65186539" border="0" src="https://freight.cargo.site/w/1000/i/dfba314046a56fecc33eae0653aa72dbf389572913839d4fe19ca0b23a523a94/Intro-piece_Always-Pushing_final2.jpg" /> <img width="826" height="1169" width_o="826" height_o="1169" data-src="https://freight.cargo.site/t/original/i/4aa4a9e67a680c1a61778b85cd4724a125256f98bbcdb8fc1e4d6a22ca59bb71/Always-Pushing---the-image1.jpg" data-mid="65184871" border="0" src="https://freight.cargo.site/w/826/i/4aa4a9e67a680c1a61778b85cd4724a125256f98bbcdb8fc1e4d6a22ca59bb71/Always-Pushing---the-image1.jpg" /> <img width="1240" height="1753" width_o="1240" height_o="1753" data-src="https://freight.cargo.site/t/original/i/59fd67938fec6b16b9455e26abcfbda8d88bfe4a514fbfd3ee9850b63c620fba/Always-Pushing_2.jpg" data-mid="65186251" border="0" src="https://freight.cargo.site/w/1000/i/59fd67938fec6b16b9455e26abcfbda8d88bfe4a514fbfd3ee9850b63c620fba/Always-Pushing_2.jpg" /> <img width="1240" height="1753" width_o="1240" height_o="1753" data-src="https://freight.cargo.site/t/original/i/835a8817983c8604d6b3533a76844de436ca578e39489ebaeaefbeaffd378454/Always-Pushing_3.jpg" data-mid="65186253" border="0" src="https://freight.cargo.site/w/1000/i/835a8817983c8604d6b3533a76844de436ca578e39489ebaeaefbeaffd378454/Always-Pushing_3.jpg" /> <img width="1240" height="1753" width_o="1240" height_o="1753" data-src="https://freight.cargo.site/t/original/i/41b3bed308fe9b2ee67f9ae6d57fa418170af24d863a52fa0345ad6bb81b6989/Always-Pushing_4.jpg" data-mid="65186252" border="0" src="https://freight.cargo.site/w/1000/i/41b3bed308fe9b2ee67f9ae6d57fa418170af24d863a52fa0345ad6bb81b6989/Always-Pushing_4.jpg" /> On Saturday, September the 8th 2018, I was involved and exhibited in the exhibition Sinnebilder at Hospitalet Ateljéföreningen for Uppsala Kulturnatten 2018. We also hosted an open studio during this annual event. Displayed here is my work Always Pushing (2018), which I exhibited during this show. https://tamhare.com/In-the-Portico-2018 Wed, 01 Apr 2020 08:21:14 +0000 Tam Hare https://tamhare.com/In-the-Portico-2018 <img width="1239" height="1754" width_o="1239" height_o="1754" data-src="https://freight.cargo.site/t/original/i/af7804069c8e3c7b916cace66ff85dca96923dd923f42de08ff2843ec806995e/a-little-bit-sad-in-one-eye_text1.jpg" data-mid="65300297" border="0" src="https://freight.cargo.site/w/1000/i/af7804069c8e3c7b916cace66ff85dca96923dd923f42de08ff2843ec806995e/a-little-bit-sad-in-one-eye_text1.jpg" /> <img width="1240" height="1753" width_o="1240" height_o="1753" data-src="https://freight.cargo.site/t/original/i/83af1767aae426905d05885666884ffe2bb043a46bf71254b75a842d1753b324/in-the-portico1.jpg" data-mid="65299568" border="0" src="https://freight.cargo.site/w/1000/i/83af1767aae426905d05885666884ffe2bb043a46bf71254b75a842d1753b324/in-the-portico1.jpg" /> <img width="1240" height="1753" width_o="1240" height_o="1753" data-src="https://freight.cargo.site/t/original/i/97c265db2d91234738eed38415f2d3ab8da73a752c7608b0163471f3db31518c/in-the-portico2.jpg" data-mid="65299571" border="0" src="https://freight.cargo.site/w/1000/i/97c265db2d91234738eed38415f2d3ab8da73a752c7608b0163471f3db31518c/in-the-portico2.jpg" /> <img width="1240" height="1753" width_o="1240" height_o="1753" data-src="https://freight.cargo.site/t/original/i/beb233193301bf9bcf52dfb13d57da0f14999eb23a7bb780003d62fecbb9d87c/in-the-portico3.jpg" data-mid="65299570" border="0" src="https://freight.cargo.site/w/1000/i/beb233193301bf9bcf52dfb13d57da0f14999eb23a7bb780003d62fecbb9d87c/in-the-portico3.jpg" /> <img width="1240" height="1753" width_o="1240" height_o="1753" data-src="https://freight.cargo.site/t/original/i/c1d8fa7ae50dbc820572166cbe7d91d28c849828953bd9983472326d4338b215/in-the-portico4.jpg" data-mid="65299569" border="0" src="https://freight.cargo.site/w/1000/i/c1d8fa7ae50dbc820572166cbe7d91d28c849828953bd9983472326d4338b215/in-the-portico4.jpg" /> As part of Stockholm Art Week 2018, Anna Glantz and myself exhibited and produced the show, A little bit sad in one Eye at Bellmansgatan 26. This ran from the 14th of April to the 19th April, 2018. Here is a link to the event: <img width="900" height="647" width_o="900" height_o="647" data-src="https://freight.cargo.site/t/original/i/4bf89ede325c465d5007d1c0fc351f58b614223987ed43c19f83dcb2b5dd50e2/a-little-bit-sad-pic....jpg" data-mid="65303000" border="0" alt="the poster/booklet image links to the Human Blues website " data-caption="the poster/booklet image links to the Human Blues website " src="https://freight.cargo.site/w/900/i/4bf89ede325c465d5007d1c0fc351f58b614223987ed43c19f83dcb2b5dd50e2/a-little-bit-sad-pic....jpg" />