^{cited text and performance works from the project, December 2023…}

^{— note. relevant links to examples of work are found in these entries and in certain image captions}

_{These works have been put in rough chronological order relating to the project’s progression, and that of my fiction-theory texts and related performances…}

^{1. Conditions of Redirection: A Trialogue}

– a collaboration between Två Cirklar and myself. This performance was given at Fylkingen on April 9th 2022. The final performance was between 45 and 50 minutes in duration.

fig i & ii. The front and back cover designs of 'Assured Un-certain Chances' (May 2021). This ‘fiction-theory’ text was performed as part of my ongoing collaboration with musicians Två Cirklar, at Fylkingen, Stockholm (April 9th 2022). Due to the Covid Pandemic, this event was rescheduled from its original performance date. As a reference, here are two short sections of this work’s development, performed and recorded with ‘Två Cirklar’ at Hospitalet’s project space in Uppsala:

1. December 2020

2. June 2021


fig iii & iv. The middle page spread from 'Assured Un-certain Chances' (May 2021).

— Here are recorded film and audio samples from our collaboration’s eventual performance, April 2022.

[I am currently working on a complete film version of this performance which will have a superior audio-visual quality.]

  — Film clip 1 from the Fylkingen performance

  — Film clip 2 from the Fylkingen performance

The quality of these recordings’ is not the greatest but hopefully this still gives a satisfactory indication of the work and this performance.


fig v. (x4 slides) These images were taken during our performance at Fylkingen in Stockholm.

fig vi. Here is a link to Fylkingen’s webpage, which contains our texts with more information about this event and collaboration.

— The explanatory press texts in Swedish & English, about the collaboration and performance, used as a handout during this event can be accessed here.

fig vii. An installation shot of my photo-text exhibited and performed work ‘..., STAR, ...’. I exhibited this work during the exhibition ‘FRAGMENT’ (February 2020) at Sigtunastiftelsen, Sigtuna, Sweden.

— note. A performance reading of this text with Två Cirklar can be heard here. This text is also part of the project’s development and is a key section in its final performance.

— Primed (was the work's, and fiction-theory text’s working title), Oct. 2019 – April. 2022, at Fylkingen, a musical performance collaboration with Två Cirklar. Finally, as part of this work, I have also been producing an essay with Två Cirklar, provisionally titled Primed. This text examines the project and collaboration’s development and is presently a work in progress. However, an initial draft section of it can be found here...

^{2. Tinnitus Channelled/Texts project}

fig viii.'Post-Tinnital' image, part of the visual research for this work

Here is a link to a recording of a short section from this ongoing work, Tinnitus Channelled, which I began collaborating on with musician, composer and artist John Bryden. As I begin to expand the collaborative potentials of the project, by bringing in other participants, this work with John will be a central artistic-critical foundation and collaboration, over the next period of this research, into 2024 — being consistently assessed throughout. Subsequently, this short recorded reading with accompanying sounds, is from a section entitled Tapering Times.

[— click the play icons in Google Drive view to listen and view this research content].

Here are a number of other readings from the Tinnitus Texts works, beginning with...

— a reading of sections created as connective passages between the main body of texts for this work. These directly respond to tinnitus as an auditory condition, within my fiction-theory writing.

— My ‘tinnital recordings’ from Tinnitus Channelled

— Two other selected recordings from this text works’ main passages can be found here also: Tinnitus Channelled 4 & Tinnitus Channelled 5

— For further reference, here are examples of one of John’s noise recordings & one of his melodies US Useless, which we are presently experimenting with and expanding on.

— And a final modular synth section brought together with a selected text reading. 

— Further text samples from this tinnitus work can be made available and included as part of this submission’s documentation, if requested...


Here are the studio recordings of my readings of the Opening Section I of Tinnitus Channelled. These are being used in my ongoing collaborations, particularly with John in 2024 onwards.

— I have been working on a specific proposal for this Tinnitus Texts work and project (’within a project’). As part of this, I have been looking at possible opportunities for this work. Therefore, I have included here a recent application I made in Sweden.

^3.

fig ix & x. These images are the cover and first page designs of 'Cover Knowing' (April 2019). This exhibited installation work and accompanied ‘fiction-theory’ book were exhibited and displayed at Åhuset in Uppsala.

^4.

fig xi & xii. Another of my speculative ‘fiction-theory’ text explorations and its devised structured design, ‘Always Pushing’, displayed with the archival portrait used in its creation. This piece was exhibited at Hospitalet, Uppsala in September 2018. 

^5.

fig xiii & xiv. The front, back page spread and designs, from the ‘Portico’ project text, exhibited at ‘A Little Bit Sad in One Eye’ exhibition (April 2018), for ‘Stockholm Art Week 2018’.

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^6.

fig xv & xvi. The initial key text work from the Fylkingen performance of ‘Abstract Child: Only Ever Close’ (May 2016), with one of Anna Glantz’s commissioned images used in the project’s inception, its visuals and designs. 
This work and event was created as part of my funded project for the CuratorLab (2015/16) program at Konstfack, Stockholm.
 

fig xvii & xviii xix. The front, back cover and selected page designs from the ‘Abstract Child’ text publication. Presented and distributed at Fylkingen as part of its performance in May 2016.

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